Recently Kaige told us he wishes he could be both a boy and a girl because he likes playing princesses as much as ninjas and he doesn’t want to get made fun of. So we bought him a tutu and gave him a makeover. Meet the new and improved Kaige. If you have a problem with it please keep it to yourself and kindly stay out of his life. Which would be a shame because as you can see he’s freakin’ awesome! #letmebeme #mumblr #stopbullying
"I guess I could be pretty pissed off about what happened to me, but it’s hard to stay mad when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once, and it’s too much my heart fills up like a balloon that’s about to burst, and then i remember to relax and to stop trying to hold onto it, and it flows through me like rain, and i can’t feel anything but gratitude for every single moment of my stupid little life."
—American Beauty, dir. Sam Mendez
We are 3 and going strong
For our 100th post on Tumblr, here’s one of the great texts about Long Now: the essay by Brian Eno that gave name to the Clock and our organization. “The Big Here and the Long Now" was written in 01995 before the Foundation was formally founded. Long Now existed only as an idea in conversation between Danny Hillis, Stewart Brand, Eno, Kevin Kelly, and others back then. Now we have thousands of members, the Clock-building is under way, and tomorrow we open our new public space.
"Now" is never just a moment. The Long Now is the recognition that the precise moment you’re in grows out of the past and is a seed for the future. The longer your sense of Now, the more past and future it includes. It’s ironic that, at a time when humankind is at a peak of its technical powers, able to create huge global changes that will echo down the centuries, most of our social systems seem geared to increasingly short nows. Huge industries feel pressure to plan for the bottom line and the next shareholders meeting. Politicians feel forced to perform for the next election or opinion poll. The media attract bigger audiences by spurring instant and heated reactions to human interest stories while overlooking longer-term issues - the real human interest.